Klaus Mäkelä Energizes CSO with Berlioz Masterpieces in Chicago

UPDATE: Last night, the Chicago Symphony Orchestra (CSO) delivered a stunning performance under the dynamic direction of music director designate Klaus Mäkelä, showcasing the renowned works of Hector Berlioz during a thrilling concert in Chicago. This marked the beginning of a pivotal three-concert series, offering a glimpse into the orchestra’s evolving relationship with the 29-year-old maestro.

The evening featured Berlioz’s iconic Symphonie fantastique, a piece celebrated for its dramatic flair and virtuosic demands, alongside the equally compelling Harold in Italy. Each composition pushes traditional boundaries, with the Symphonie comprising five movements, defying the typical four, and Harold blending symphonic and soloist elements in a unique storytelling format.

Mäkelä’s ambitious programming was met with an enthusiastic response from the audience, who erupted into sustained cheers after each segment. The concert highlighted the CSO musicians’ deep commitment to Mäkelä, evidenced by their passionate performance. The orchestra’s powerful sound, especially from the brass section led by new principal trombonist Timothy Higgins and returning principal trumpeter Esteban Batallán, resonated throughout the concert hall.

The standout moment came from Antoine Tamestit, a leading viola soloist who captivated the crowd with his interpretation of Harold in Italy. His performance was enhanced by a clever staging choice, as he entered from the back of the orchestra, channeling the spirit of the wandering poet from Lord Byron’s narrative. Following the applause, Tamestit returned for an encore, showcasing his talent with a vibrant rendition of the Prelude from J.S. Bach’s Cello Suite No. 1.

Mäkelä conducted from memory, allowing him to engage more freely with the orchestra and the audience, creating an intimate atmosphere. The concert displayed Berlioz’s imaginative orchestration, with striking moments such as an enchanting duet between Tamestit and guest harpist Emily Levin, and an impressive finale featuring four percussionists on eight timpani.

As the CSO enters its 2025-26 season, this concert serves as a significant marker for Mäkelä’s tenure, which officially begins in September 2027. Last night’s performance not only demonstrated the orchestra’s technical prowess but also hinted at a promising future under Mäkelä’s youthful energy and innovative vision.

With audience members buzzing about the performance, the CSO’s immediate future looks bright. Concertgoers are eagerly anticipating the next two performances in this series, which promise to further showcase the orchestra’s evolution and Mäkelä’s artistic direction.

Stay tuned for more updates as the CSO continues to impress and inspire with its remarkable music.