Mexican Circus Revives Ancient Maya Myth in Captivating Performance

In a stunning blend of circus arts and theater, Mexican artistic director Jorge Díaz has reimagined the ancient Maya myth from the Popol Vuh in a captivating performance titled Mortal Leap into Xib’alb’a. The show, which debuted in 2023, recently returned to the stage in Mexico City in late November, drawing audiences into the rich tapestry of Maya storytelling through acrobatics and ritualistic elements.

Díaz, who fondly recalls his childhood bedtime stories, aims to revive the cultural heritage embedded in these myths. “Recalling those stories is important,” he noted, emphasizing the significance of passing down tales from Indigenous lineage. The narrative follows the journey of hero twins Ixbalanqué and Hunahpú as they navigate the challenges of the Maya underworld, facing death itself and emerging transformed.

Transforming Tradition into Performance

The troupe behind this innovative production, Tránsito Cinco, was founded 20 years ago by Díaz and fellow artist Jessica González. Initially a theater company, they transitioned to circus arts, aiming to create a unique intersection between various forms of performance. “We wanted to find something that could connect theater with dance, and the circus became a meeting place,” González explained. Their diverse repertoire now includes 16 productions, each centering around a clear narrative thread.

Díaz and González believe that circus arts can express profound themes, addressing social issues and more. This philosophy is exemplified in their documentary, “Somnia,” which explores the history and vision of Tránsito Cinco. Director Arely Cantellano remarked, “This is one of the most influential art forms I’ve ever witnessed,” underscoring the transformative potential of circus as a medium.

A Personal Connection to the Myth

Díaz’s role in Mortal Leap into Xib’alb’a extends beyond direction; he is also responsible for the safety of performers, particularly during high-risk acts. One poignant moment involves Yareli Reyes, who performs a hair suspension act, embodying one of the twins. Originally, Díaz envisioned playing this character alongside his brother, who now portrays the other twin. “It felt important to me to create it on stage together,” he shared, highlighting the deep personal connection to the material.

The performance encapsulates a Maya worldview where death is not an end but a rebirth. This theme resonates throughout the show, depicting the twins’ journey from life to death and back again, ultimately transforming into the Sun and Moon. “Under the Mayan worldview, death is not an ending, but a chance to be reborn,” Díaz explained.

As the performance unfolds, audiences are treated to a vibrant fusion of music, light, and movement, creating a ritualistic atmosphere that captivates and engages. “Circus has the power to astonish and play with risk,” Díaz remarked, reflecting on the immersive experience offered to viewers. Marketing strategist Alba Vida praised Tránsito Cinco’s work, saying, “I love circus arts because, within them, the frontier with entertainment shifts.”

Ultimately, Mortal Leap into Xib’alb’a serves not only as entertainment but also as a cultural revival, reminding audiences of the rich pre-Hispanic traditions that continue to resonate today. As Díaz’s son, now 14, once shared in those bedtime stories, the legacy of the Maya lives on, inspiring new generations through the art of performance.