Atlanta Opera Presents Philip Glass’s Unique Take on Beauty and the Beast

The Atlanta Opera (TAO) showcased a unique interpretation of Philip Glass’s opera, La Belle et la Bête, on March 15, 2025, at the Cobb Energy Performing Arts Centre. Directed by Tomer Zvulun, this one-night-only performance combined live music with the screening of Jean Cocteau’s iconic 1946 film, offering a fresh perspective on the classic fairy tale.

Philip Glass, recognized as a significant figure in contemporary music, composed this piece in 1994 as a reinterpretation of Cocteau’s original score created by Georges Auric. Glass’s version replaces the film’s dialogue with sung recitative, providing an operatic experience that invites audiences to reconsider the essence of opera itself. The Atlanta Opera’s recent season focused on redefining opera, leaving viewers primed for this innovative presentation.

The performance featured a live orchestra that included strings, woodwinds, brass, and percussion, creating a rich auditory backdrop for the film projected on stage. Glass’s score is designed to resonate with the film’s emotional depth, even though it sometimes diverges from traditional operatic forms.

Engaging a Diverse Audience

The audience’s reactions highlighted the challenge of balancing historical context with contemporary interpretations. Many attendees appeared unfamiliar with the darker themes of Cocteau’s film, often laughing at moments meant to evoke emotion. This contrast suggests that a significant portion of the audience may have been more familiar with the sanitized versions of the tale, such as Disney’s animated adaptation.

The film’s haunting visuals and Glass’s evocative music worked together to heighten the narrative’s emotional stakes. For instance, the cinematography by Henri Alekan, characterized by its soft lighting and surreal imagery, complemented the live performance. Cocteau’s film retains an aura of silent cinema, allowing the audience to engage with the visuals on a deeper level.

TAO’s staging, while simple, effectively focused on the film’s artistry. The four singers performed from music stands positioned on either side of the stage, enhancing the live-to-film experience. Kayleigh Decker, portraying Belle, captivated the audience with her powerful voice, while other cast members switched roles seamlessly, showcasing their versatility.

An Artistic Reflection on Transformation

Glass’s interpretation of La Belle et la Bête invites viewers to explore broader themes, such as the nature of creativity and transformation. This aligns with the narrative’s origins, which delve into the complexities of love, sacrifice, and societal expectations. The story’s roots trace back to the 18th century, specifically to Gabrielle-Suzanne Barbot de Villeneuve, who published the earliest version of the tale, setting the stage for its enduring legacy.

The production’s success reflects the Atlanta Opera’s commitment to presenting diverse and innovative works. Maestro Ryan McAdams effectively synchronized the live music with the film, ensuring an immersive experience for attendees. The orchestra’s performance was praised for its clarity and emotional resonance, breathing life into Glass’s complex score.

Despite some disjointed moments where the music did not align perfectly with the film, the overall effect rekindled interest in Cocteau’s original vision. Glass’s score, while sometimes challenging, offers a unique lens through which to appreciate the film’s artistry and emotional depth.

TAO’s innovative presentation of La Belle et la Bête signifies a crucial moment in the evolution of opera, demonstrating how traditional narratives can be reinterpreted for modern audiences. As Glass approaches his 89th birthday, the opportunity to experience his work live remains vital for opera enthusiasts and newcomers alike. The Atlanta Opera continues to provide a platform for such artistic explorations, enriching the cultural landscape of the region.